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	<title>Creative Disruption &#187; Writing</title>
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		<title>Hacking, painting, and book writing</title>
		<link>http://www.creativedisruption.net/2009/08/hacking-painting-and-book-writing/</link>
		<comments>http://www.creativedisruption.net/2009/08/hacking-painting-and-book-writing/#comments</comments>
		<pubDate>Tue, 25 Aug 2009 09:05:39 +0000</pubDate>
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				<category><![CDATA[Writing]]></category>

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		<description><![CDATA[How do you go about writing a book? The longest thing I&#8217;ve ever written professionally is a 5,000 word feature, and I felt quite dizzy by the end of that. My dissertation at university was 10,000 but it was mostly gibberish, so that&#8217;s hardly encouraging. It&#8217;s not so much the crafting of a half decent [...]]]></description>
			<content:encoded><![CDATA[<p>How do you go about writing a book? The longest thing I&#8217;ve ever written professionally is a 5,000 word feature, and I felt quite dizzy by the end of that. My dissertation at university was 10,000 but it was mostly gibberish, so that&#8217;s hardly encouraging.</p>
<p>It&#8217;s not so much the crafting of a half decent sentence I&#8217;ve been worried about, rather it&#8217;s the knitting together of what at times seems like a set of jumbled thoughts and case histories into something that has some sense of coherence. Hell, maybe even something that someone somewhere might actually want to <em>read.</em></p>
<p>The formal answer to this question is that you have to set up your outline, a set of headings with the key bullet points in it, and then you stick to that. And when I had to submit my book for approval, I had to put forward a pretty tight outline, even though I wanted to tear the whole thing up almost the second I&#8217;d submitted it.</p>
<p>The problem is, I&#8217;ve never really written an outline for anythign I&#8217;ve ever written. Somehow my mind just doesn&#8217;t quite work like that.</p>
<p>My best time-wasting option when confronted with not being able to write an outline is to start mind-mapping. But in this case, it just hasn&#8217;t worked.</p>
<p>I&#8217;ve always related to Paul Graham&#8217;s description of hacking compared to university-taught programming in his brilliant essay <a href="http://www.paulgraham.com/hp.html">Hackers and Painters</a>.</p>
<blockquote>
<p style="padding-left: 30px;">&#8220;I was taught in college that one ought to figure out a program completely on paper before even going near a computer. I found that I did not program this way. I found that I liked to program sitting in front of a computer, not a piece of paper. Worse still, instead of patiently writing out a complete program and assuring myself it was correct, I tended to just spew out code that was hopelessly broken, and gradually beat it into shape. Debugging, I was taught, was a kind of final pass where you caught typos and oversights. The way I worked, it seemed like programming consisted of debugging.</p>
<p style="padding-left: 30px;">For a long time I felt bad about this, just as I once felt bad that I didn&#8217;t hold my pencil the way they taught me to in elementary school. If I had only looked over at the other makers, the painters or the architects, I would have realized that there was a name for what I was doing: sketching. As far as I can tell, the way they taught me to program in college was all wrong. You should figure out programs as you&#8217;re writing them, just as writers and painters and architects do.&#8221;</p>
</blockquote>
<p>So for the last few months I&#8217;ve just been writing &#8211; getting down dozens of thousands of words, chunks of chapters, none of them finished. The equivalent of Graham &#8216;spewing out code that was hopelessly broken&#8217;.</p>
<p>Every chapter or bit of a chapter is a separate file &#8211; all sitting there in a folder (backed up thanks to the utterly wonderful <a href="For example, I was taught in college that one ought to figure out a program completely on paper before even going near a computer. I found that I did not program this way. I found that I liked to program sitting in front of a computer, not a piece of paper. Worse still, instead of patiently writing out a complete program and assuring myself it was correct, I tended to just spew out code that was hopelessly broken, and gradually beat it into shape. Debugging, I was taught, was a kind of final pass where you caught typos and oversights. The way I worked, it seemed like programming consisted of debugging.">Dropbox</a>).</p>
<p>Now, however, it tim eot beat it into shape.</p>
<p>So, this morning, on a flight to Stockholm, I&#8217;ve just gone through the slightly painful process of reading everything (all printed out and separated by little index tabs) through, and starting to put it all into order &#8211; weeding out the duplication, shuffling things round a bit, finding that a couple of my &#8216;big ideas&#8217; are hardly ideas at all when I read them back, and something that I just rattled off on a train journey into town (about the types of denial incumbents go through when facing disruption) has a bit more potential than I thought.</p>
<p>And now, finally, I have my outline &#8211; scrawled on a piece of A4 (I tried photographing it to put it up here but the results were just too fuzzy) and it kind of works. It&#8217;s also not a million miles from where I started (I say that just in case my editor is reading this!).</p>
<p>I also have a fair of writing still to do &#8211; but it&#8217;s now clear where it&#8217;s all going. A bit late, I know &#8211; but I&#8217;ve crossed some sort of Rubicon.</p>
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